Studio Photoshoots > Outtakes & Sessions > 2016 > Session 013
Studio Photoshoots > Outtakes & Sessions > Behind The Scenes > 2016: Session 013
Magazine Scans > 2016 > Vanity Fair (September)
VANITY FAIR – It’s unintentional, mind you, but Alicia Vikander does the Luckiest Girl Alive thing effortlessly. Even doing an interview by Skype—her preferred mode of communication with far-flung friends these days—can’t conceal it. It’s 10 A.M. in Sydney, Australia, and she’s puttering around the house of her boyfriend, actor Michael Fassbender. (He’s decamped there to shoot Ridley Scott’s Alien: Covenant. She’s on a two-week holiday between film sets.) Her hair has that just-out-of-the-shower look. She’s wearing a light-blue button-down shirt that, even if it isn’t her boyfriend’s, looks like it should be. She’s making the kind of breakfast that elegant, health-conscious European women eat: a mix of muesli and yogurt, accompanied by a beverage of fresh-squeezed lemon juice mixed with apple-cider vinegar that some holistic-minded Australian friends are crazy about. “It’s apparently very good for you, but it’s disgusting!” says Vikander. Unlike the typical person, whose face over Skype looks as if he or she were staring into a doorknob, Vikander looks as exquisite and glowing as ever.
This past year has been her year, as they say—the 27-year-old Swedish actress, who now lives in London, shot from relative obscurity to international superstardom with four major films in just 12 months—Testament of Youth, Ex Machina, The Man from U.N.C.L.E., and The Danish Girl—the kind of feat that Jessica Chastain accomplished a couple of years ago. Vikander was the “It girl” of this past awards season, earning a best-actress Golden Globe nomination for her role as an intensely alluring robot in Ex Machina and winning the Oscar for best supporting actress in The Danish Girl, as Gerda Wegener, the wild and determined wife of one of the earliest men to undergo gender-confirmation surgery, played by Eddie Redmayne. She’s both a muse to modern fashion designers—a year ago she became the new face of Louis Vuitton—and a dream for costume designers doing lush period dramas. No one has worn romantic, charming period frocks with such conviction since Helena Bonham Carter, as Lucy Honeychurch, frolicked in the grass in A Room with a View.
Now the world is at her feet, and she’s picking out projects according to nothing but whim and personal passion. A pair of guilty-pleasure blockbusters? Check. She’s currently in Jason Bourne, opposite Matt Damon, and she’s gearing up to play Lara Croft in the next Tomb Raider movie. A venture with an iconic European director? Another check: Wim Wenders’s Submergence, opposite James McAvoy, which she’s just wrapped. An indie with an old friend? She got that too: Euphoria, directed by Lisa Langseth, the woman who discovered her. It also happens to be the first title from her film company, Vikarious Productions, which she started, well, in order to do exactly what she wants.